Artist-in-residence at the Virtual & Immersive Production (VIP) Studio, University of Nottingham | 2024 An interactive, holographic installation exploring the stories and collective imaginations of the Tehuelche community of Patagonia. Through AI, immersive technologies, and a collaborative process with the Tehuelches, this installation reflects on how AI is shaping our narratives and perceptions. It also creates new representations of the Tehuelches’ cosmovisions, bringing together the past, the present and imaginary futures of the community The first prototype has been presented to the public at Lakeside Arts (UoN) in November 2024. Project in progress In collaboration with Silvia Llanquetru and Sylvie Tissot

Wor(L)ds — words create worlds
Immersive spatial sound installation that explores a de-centered view of our anthropocentric experience of the natural world. Voices of local communities, the sounds of Natura 2000 forest sites, and the contributions of artificial intelligence all work to imagine a future beyond the Anthropocene. This project is an ever-evolving attempt at a human/non-human/more-than-human perception of the natural world | 2022/2024 [Artistic collaboration with Sam Nester, musician and sound artist] [Scientific collaboration with Isabelle Hupont-Torres, Scientific Officer at the Joint Research Center, and Lucia Iglesias Blanco, Policy Officer the European Commission Directorate-General for Environment] A work commissioned by the European Commission Joint Research Center as part of the SciArt Resonances IV programme. Showcased as part of the NaturArchy group exhibition at iMAL (Brussels)

Synocene — beyond the Anthropocene
Creation of 4 performances at the Grand Palais, in resonance with the exhibition Rouge | 2019 Workshop with students of the DSAA Design and digital creation of the Ecole Estienne [image of the Red Line project, from Proletograd to Stalin S/Mer by François Désole, Alexiane Capitaine and Emma Pustienne] @photo : Rémy Deluze

Four shades of Red
Research-based residencies around representations of natural elements if they had legal status | 2019 An exploration of forms of communication with natural ecosystems in a sensitive way, in resonance with the more-than-human Project started in the framework of the art residency with Blast Theory and continued as part of the visiting fellowship at the Centre for Digital Media Cultures and the Centre for Spatial, Environmental and Cultural Politics at the University of Brighton in 2019

Wild Diplomacy
An exhibition-event around urban and architectural representations on Instagram, commissioned by the Maison de l’Architecture en Ile de France as part of the National Architecture Days | 2018 Liking the City proposes to make Paris, during a weekend, the theatre of reflection, production, meeting, exchange and sharing of mobile photographic practices around the city and architecture. The event consisted of an interactive installation - in collaboration with the Paris Instagram community - urban walks with architects and a round table with architects, urban planners, influencers and researchers Presented at the Maison de l’Architecture en Ile de France and at the Mairie du Xe arrondissement de Paris in October 2018 Interaction programme development: Sylvie Tissot • pavilion design: Martin Detoeuf • pictures: Rémy Deluze

Liking the City [Paris]
A series of 3 performances with the students of the Innovation & Digital Transformation Master [School of Management and Innovation of Sciences Po Paris], as part of the exhibition Artists&Robots at the Grand Palais | 2018 Taking as a starting point the place of the machine in creation, the performances question particularly the part of imagination of these latter The performances were created during the fall semester in Marina Wainer's interaction design workshop, in collaboration with Martin Detoeuf, robot programmer, at AREA-Institute in Paris

Dialogue(s)
Interactive installation about the temporal experience that explores our relationship with the natural world, following the two-months art residency at the Perito Moreno glacier By taking the Perito Moreno glacier as a symbol, the intention is to offer an experience far from contemplation. To design a fascinating environment, in a sensitive tension between landscape and territory, where everyone must negotiate their relationship with nature. To create a fragmented space that reassembles to form personal geographies, where the conversational image and the celebration of sharing renew the relationship to time and question the boundary between artists and amateurs. To set up a space with a temporal depth, which questions the digital as a territory. Solo exhibition: La Galerie d'Architecture, Paris, 2017 and Listastofan Gallery, Reykjavik, 2018 Group exhibition: Fase 7 [Digital Art festival], Buenos Aires, 2015 and MeCCSA 2020 at University of Brighton Gallery, 2020 Interaction programme: Sylvie Tissot • Sound design: Xavier Collet • Light design: Françoise Diraison • Texts: Lionel Lemire • Assistants : Marion Autuori, Martin Detoeuf, Pauline Laplaige, Julie Soulat, Marike Thery, Robin Thomas

Instants²
Urban fiction that stages fragments of the city as a collection of street archives found in the future. Photographic series [digital print on Plexiglas] + Interactive installation [via Instagram] | 2016/2019

Earth Anthology
Art residency at the Perito Moreno glacier around the temporal experience Awarded of the Institut Français’ Hors les Murs residency programme in the digital and interactive arts category | Patagonia • Argentina | 2015 As a symbol of a double temporality, combining long-and short-term time in a natural ecosystem and massive scale, Perito Moreno holds within it several 21st-century themes around fascination, friction, contradiction and collapse: disrupted frontiers, climate change, the slippage in the spatio-temporal relationship, the duality of real-life and dreamed territories, our relationship to reality in the digital era A two-months residency to explore the perception of invisible and impalpable time; its sensitive dimension; the relationship of the map to the territory with experiments taking place both locally and on a global scale; planet as a theatre in real time and in 1:1 scale [Collaboration with physics researchers at the Balseiro Institute, Bariloche, Argentina]

Territories of Time
Installation in the framework of the performance 'Etant donnée' by writer Cécile Portier at La Chartreuse - Centre national des écritures du spectacle Group exhibition at the 67th Theatre Festival of Avignon | 2013 Cécile Portier has invited artists to create works that resonate with her text and performance 'Etant donnée'. These pieces were showcased in a group exhibition as part of her show. Taking as its starting point the theme of her project, the installation questions our digital identity through the angle of fragmentation In collaboration with architect Valérie de La Chapelle

Data pond

RUI
Installation | Solo exhibition at the Museum of the Hospital Center Sainte-Anne | 2012 [in collaboration with architect Valérie de La Chapelle | as part of the Francophone Week] [texts and voice Camille de Toledo | light design Françoise Diraison |sound design Xavier Collet]

Dreams
Interactive installation | Solo exhibition at the mk2 cinemas Quai de Loire et Quai de Seine | 2011 [in collaboration with Valérie de La Chapelle[ [computer programming Sylvie Tissot | light design Françoise Diraison | development haptic platform Mehdi Ammi] [in partnetship with the LIMSI/CNRS Lab and the mk2 cinemas]

Haptic canal
A series of interactif journeys around the urban space | 2010/2011

Variations on a code
Installation | 2009 Group exhibition Immatérielles at the Maison des métallos [in collaboration with architect Valérie de La Chapelle]

A depth of illusion

d-box
Interactive Installation | Exhibition at the Nuit Blanche 2006 [in collaboration with architect Valérie de La Chapelle] [actor Stéphane Chivot | video and computer programming Benoit Simon]

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